Friday, July 19, 2013

California Dreaming: Down in the Grove



When my Pennsylvanian Dad came out of the Navy after serving in the Pacific in World War II his dream was to settle in Southern California with his Californian bride (who, legend says, he met at the Officers Club at the Coconut Grove, buy some property, raise and show 5 Gaited Saddlebred horses and watch things grow. In the early 50s my parents bought Mulberry Farm, an orange ranch in Chatsworth at the north end of the San Fernando Valley. My earliest memories are from that grove - the smell of the orange blossoms wafting in the evening, the dappled sunshine filtered through the leaves and the contrast of the bright yellow and orange fruit against dark green. A real California dream.....

Sadly, a few years later Mulberry Farm was sold for subdivision and the horses were gone - not a very practical economic plan to raise a young family. after all, but I've always loved the orange groves of my native southern California though sadly the majority of them have disappeared in favor of tract homes and shopping malls.



This latest quilt "California Dreaming: Down in the Grove" is from a photo I took in our own little urban garden of a dwarf limequat laden with fruit this past spring. Though it's not exactly from a grove it brought back all those memories of California's citrus heritage.

As for the technical stuff - I manipulated the photo on my Ipad in Sketch Guru to obatin a watercolor effect and again on my desk top computer in Photoshop  to tinker with color and saturation.  The photo was printed on a large scale by Spoonflower.com.  I added fabric paint to highlight some of the effects, thread painted the resulting image with silk and polyester threads to obtain texture and trapunto'd the fruit and a few leaves in the foreground to give depth and dimension. The background was free motion quilted very tightly to flatten and thus pop the other design elements. This is the third piece I've finished using these techniques, tweaking each along the way. I'm liking the results.



Friday, July 12, 2013

Sacred Threads 2013 Opened Yesterday in Herndon, VA


Sacred Threads 2013 is open as of yesterday at Floris United Methodist Church in Herndon, Virginia and will be open through July 28th. Two of my quilts both pictured below are included and it is a very happy moment for me to be included for the third time in this lovely,  meaningful exhibit. 
Check out Sacred Threads 2013 on Facebook



If you're going to be in the suburban Washington DC area this month I hope you'll visit! If you do, I'd love to hear your impressions and if you're there with your camera take a photo or two of my pieces and if you're so kind, send them off to me at Sally@sallywrightquilts.com

Saturday, June 29, 2013

My New Love......

Remember the "white" 1965 Singer Featherweight I purchased earlier this year?  Loved the hum of the little machine, but I really hated the off-white sort of celery green color. Sorry Featherweight purists, but I had to do something!



So after a lot of research I sent her off to Gerald Holmes in Hot Springs, Arkansas. His price was right, he promised fast turnaround, and he had good internet recommendations. Et Voila! She has come back after a little more than a month with her lovely "Lexus Pearl White" finish (he uses automotive paints - you choose). Here she is below resplendant in her gold Singer decals...
 I finished a whole baby baby quilt top on her last weekend and loved working on her fitted into my Sew Ezi table upstairs in our son's old room with its leafy green views of the neighborhood. (He lives and works in Nashville so he will never know.....)
 I had to make her a special cover - loved this pearl gray fabric from Sew Modern here in LA  with abstract thread spools....
  - which I embroidered with her name --- "Pearl"


Wednesday, June 12, 2013

Blue Plate Special II off to Houston......






















Got the word last week that my "Blue Plate Special II" will be going off to IQF Houston to be part of the new "What's For Dinner" show this fall. The show curated by Jamie Fingal features place mat sized quilts featuring answers to her favorite Facebook question. Rumor has it that they are going to try to display these on an actual table. What a cool idea!

My offering includes digital imagery of my great-grandmother's silver tomato server and an actual linen napkin along with a painted, thread painted and trapunto'd digital image of last summer's
 heirloom tomato bounty on a  pieced background .
Hope to be there in person to see the show!

Check out Off the Wall Fridays at www.ninamariesayre.blogspot.com .

































6 comments:

  1. I LOVE this color wheel! It makes me so happy and of course the quilting is stunning as usual. Thanks for sharing.
    ReplyDelete
  2. It glows! And your quilting is wonderful!
    ReplyDelete
  3. ohhh if that box of thread comes up missing - don't check my house (grin)! I haven't worked with silk but its on my list of things to do. Make sure you post your artist statement. So many times I read them at exhibits and I think - OMG what the heck are they saying - LOL!!!
    ReplyDelete
    Replies
    1. Silk is the yummiest thread of all Give it a try... Thanks for your nice comment.
      Delete
 

Tuesday, May 7, 2013

Color is Everything


As I have been concentrating on an on-line art marketing class, I have focused on how to write a cogent artist statement. Lots of thinking - not much actual writing. The more I think about it I realize that my artwork and indeed my life revolves around color. Color in my art, my garden, the food I cook and consume, the colors In our home interior, the sky, the earth, the eyes of people I meet - it's all about color for me.
 
I have been told that my work shows a good natural eye for color , but to improve it I have been watching a class with Joen Wolfrom featured on Craftsy.com.  She started the class by asking students to paint their own 12 step color wheel. I, of course, decided to sew one instead and used a bundle of 12 hand dyed fabrics with a luscious sueded finish for just this purpose from my favorite Cherrywood in Minnesota. I adapted Anelie Belden's Dresden plate techniques and drafted my own twelve blade Dresden using these sumptuous fabrics which I also strip pieced into a rainbow like border - all of this on a black background.

 
Also last week I found myself watching a series of lessons online on The Quilt Show site with the talented quilter and teacher Libby Lehman demonstrating how she uses stitches already in her sewing machine to add color and interest to her quilts. So I got out my polyester embroidery threads and tried a few stitched borders using the decorative stitches on my Viking SE.

I added four different colored narrow flanges to finish the setting for this smallish quilt and then thought about the quilting. What I thought would be a quick and easy project, was quickly becoming quite an undertaking!




 

I  hauled out my box of #100 silk thread from YLI and Superior. I love the sheen , the beautiful saturated colors and the fine gauge of the thread for close quilting.










Diane Gaudynski has been a real mentor for my free motion quilting. I enjoy her technique for feathers - mark the spine only and then let go and see what happens.... I also use her technique of stitching an extra outline around the feather in another color - these were all done in a complimentary color and they really pop! Only one corner left to go!






I continue to think and pray for Libby Lehman as I worked on this quilt. I learned that the day after I watched her videos she suffered a brain aneurysm, has had two brain surgeries and has subsequently suffered a stroke. Quilters from all over the world are praying for her and her family.


 Check out Off the Wall Fridays at www.ninamariesayre.blogspot.com .
































Tuesday, April 30, 2013

A Little Time Out...



For the last ten days or so I've taken a little time off from my normal fiber work to make two small crib size charity quilts for the St. Joseph Center Pre School program in Venice, California. Every once in a while I find it amazingly therapeutic to abandon the art quilt aesthetic - the color choices, the complicated techniques required to get my ideas on to fabric, the choices of materials and embellishments, the paints, dyes, fusibles, etc. - in favor of some old fashioned piecing. It clears out the cobwebs, simplifies things and makes me feel like a real "quilter".


A buying spree of some packs of 5" charm squares and layer cakes of fun bright modern cottons at a local quilt show gave me the raw materials and I was off. A quick way to sew and slice 10" squares into half square triangles given to me by a friend resulted in a fairly "Modern" chevron quilt and a package of Moda charm squares with simple sashing became a sweet pastel cuddly thing for a little girl.


  
I found some great modern border and backing fabrics on the sale rack at Sew Modern in West LA for 40% off. I love their bright modern prints and I'm not always able to use them in my other work. My one problem was adapting my usual very tight compact decorative quilting with fine silk thread technique into large overall quilting with strong heavy thread that would stand up to pre-K abuse. The great part is that quilting that way finished the thread work on each piece in one day! I also used a great technique from the AQS magazine American Quilter for an attractive, but durable faux piped machine binding.


 
 
They are both done and ready for delivery, leaving me cleansed and ready for some art quilt projects that have been dancing in my head.




Sunday, April 7, 2013

A Few Tomatoes on a Plate

I've been asked to write a bit about the technique I used for my little "Blue Plate Special" quilt for the SAQA Benefit Auction. So here it is...

It all started last August on a warm Saturday morning in Southern California when my husband came back from the local farmers' market with a bag of gorgeous heirloom tomatoes. There were big overblown Brandywines, striped Green Zebras, Purple Cherokees and some I couldn't name. I piled them up in my favorite blue floral Porselyn Fles Delft bowl and put them on the marble counter in front of the kitchen window. They looked so luscious that I had to photograph them.I liked the photo and a month later used it on the label for the Roma tomatoes I can every September and then quickly forgot about it.



So, come early this month I was in a class at Asilomar taught by the wonderful Australian artist and quilter Jenny Bowker during a lull in the class one day, we were talking about IPad apps for use in art and she mentioned Sketch Guru which she uses it to make applique' patterns out of her photographs. The program is also available for Android....



 I was intrigued and later that night downloaded the app and started playing.The app allows you to download a photo from your camera roll, then crop and apply a number of art filters such as pencil sketch, watercolor, engraving, gouache, black and white print, blackboard chalk plus several more. I started playing with the watercolor function on my tomatoes, played a bit with the settings- saturation, brush strokes, etc. and ended up with an image I really liked. It was so easy.....




I opened it in Photoshop Elements on my computer and sized it correctly for a 12x12 image and uploaded the image to Spoonflower.com to be printed on a fat quarter of their best quality cotton. Then I waited patiently..... In 10 days I had my fabric.


I took it into the studio where I enhanced the shading and contrast a bit with with Tsukineko Ink markers and thread painted the tomatoes themselves with some shiny variegated polyester threads to emphasize the contours and highlights. To achieve some actual dimension to the rounded forms I added a layer of cotton batting to the back and machine stitched around the tomatoes. I trimmed the batting away very carefully to the stitching line. This achieves almost a trapunto like effect when the piece is placed on the final larger piece of batting and the background is closely machine quilted. the piece was bordered with a rich red hand dyed cotton and trimmed to size.



I found a a printed backing fabric full of luscious tomatoes in my fabric stash and the tight background quilting was done in fine silk thread in a fill pattern Diane Gaudynski calls "bananas". The tomatoes stand out and proud! The final finishing included a facing hand stitched to the back, a sleeve and label.

It's been packed and sent off to the SAQA Benefit Auction which will begin in early September, but I had another fat quarter printed at the same time and I'm playing around with ideas for another version of Blue Plate Special" Stay tuned....