A Little Time Out...

For the last ten days or so I've taken a little time off from my normal fiber work to make two small crib size charity quilts for the St. Joseph Center Pre School program in Venice, California. Every once in a while I find it amazingly therapeutic to abandon the art quilt aesthetic - the color choices, the complicated techniques required to get my ideas on to fabric, the choices of materials and embellishments, the paints, dyes, fusibles, etc. - in favor of some old fashioned piecing. It clears out the cobwebs, simplifies things and makes me feel like a real "quilter".


A buying spree of some packs of 5" charm squares and layer cakes of fun bright modern cottons at a local quilt show gave me the raw materials and I was off. A quick way to sew and slice 10" squares into half square triangles given to me by a friend resulted in a fairly "Modern" chevron quilt and a package of Moda charm squares with simple sashing became a sweet pastel cuddly thing for a little girl.

 

  
I found some great modern border and backing fabrics on the sale rack at Sew Modern in West LA for 40% off. I love their bright modern prints and I'm not always able to use them in my other work. My one problem was adapting my usual very tight compact decorative quilting with fine silk thread technique into large overall quilting with strong heavy thread that would stand up to pre-K abuse. The great part is that quilting that way finished the thread work on each piece in one day! I also used a great technique from the AQS magazine American Quilter for an attractive, but durable faux piped machine binding.

 

 
They are both done and ready for delivery, leaving me cleansed and ready for some art quilt projects that have been dancing in my head.

Tree of Life

                                          
While walking the aisles and aisles of hundreds of vendors at International Quilt Festival Houston last October just as I was about to plop exhausted in the nearest chair I was stopped in my tracks, my heart skipped a beat and my 18th century soul swooned. I was staring at the most perfect reproduction of an 18th century chintz medallion quilt built around a totally charming Indian palempore "Tree of Life" panel. On the table in front of me were piles of crisp glazed cotton chintz all reproductions of the 18th century fabrics brought back from India by the Dutch East India Company. 

This fabulous fabric collection was in the Den Haan & Wagenmakers booth manned by two charming Dutch ladies who told me that for more than  25 years Den Haan & Wagenmakers have been  reproducing the 17th and 18th-century indian chintzes which every student of European decorative arts knows revolutionized 18th century clothing and textile styles and European interiors. These fabrics are absolutely faithful copies of the originals, printed in the Netherlands on beautiful quality heavy 100% glazed cotton. They are sold online through their website at      www.dutchquilts.net/  and from their store in Amsterdam.  The store looks so charming It would be worth a special trip!

I made my purchases (in Houston, sadly, not in Amsterdam) which included the Tree of Life panel and a pile of fat quarters of small multicolored floral prints not knowing what I would do with it, but just as surely knowing I had to have it all.... Not an inexpensive purchase, mind you! I also skittered off to the Cherrywood Fabrics stand to buy another pile of their wonderful sueded color saturated hand dyed solids in those great "old" colors that I knew would mix so well with the chintz.

So I've just finished my small quilt with these luscious fabrics. I surrounded the center panel with 4" square in a square blocks which have those great florals as their centers. I free motion quilted the panel following the printed design and added scrolling feathers in the deep burgundy border. It was such a pleasure working with these gorgeous fabrics bringing textile  history a little closer....