Thursday, April 30, 2015

Where Spring is Really Spring

Since I'm a native southern Californian, my ideas of changing seasons are a little skewed. We've recently come home from a trip to a land where Spring truly makes sense to me. Our son lives and works in Nashville and his stories of the recent bitter weather full of ice storms and snow left me unprepared for the gorgeous greenness of Tennessee right now, especially contrasting to our local hills already going gold with little or no rain this winter.

Tennessee seems as green as Ireland, especially here at the natural Spring at the Jack Daniels Distillery in Lynchburg where we spent a delightful day touring, tasting and enjoying BBQ with our son David and his lady Olivia.




Drifts of White, pink and yellow dogwood were everywhere in public spaces as well as forest glades seen from the highway.



The tulips in the gardens of the Cheekwood Botanical Garden and Museum of Art http://www.exploreasheville.com just south of Nashville were just about over, but the snowball bushes, flowering trees and spring bedding plants were fabulous. We spent a wondrously Saturday afternoon there with Olivia's parents who came up from Huntsville to meet us.




As we left Nashville and drove east into the Great Smoky Mountains to Asheville, NC the flowering trees continued along with wild flowers alongside the highway. The gardens at Biltmore, the Vanderbilt Mansion in Asheville were equally spectacular with drifts of blooming azaleas in all colors ranging down a miniature valley below the spectacular house. The tulips were over and the roses not yet blooming, but these topiary ladies made from blooming posts were fabulous. Inside the house - a special treat -  a traveling exhibit of all the costumes from Downton Abbey were displayed in the magnificent rooms.




What else did we do? Well, we certainly ate a lot of great southern food - real southern breakfasts with wonderful grits and homemade biscuits at the Early Girl Eatery, a superb farm to table dinner at Chestnut and super North Carolina coastal seafood at The Lobster Trap in Asheville and a very complicated new wave southern dinner at Sean Brock's Husk in Nashville. I mustn't forget the great "meat and 3" fried catfish lunch with our son at the Cool Cafe in Franklin, TN on our last day.




Oh, and I did get to a couple of quilt shops... Both in Franklin. One - The Stitchers Garden - a treasure trove of thousands of bolts of fabric in messy towering piles and the other - The Quilting Squares - a charming little shop with a very controlled Traditional aesthetic and a charming staff. At the messy Stitchers' Garden another customer told me that some local quilters love it, others hate it. I checked Yelp and found it to be true.  The haters found it to be impossibly disorganized and disheveled. She loved it because she never know what perfect piece of fabric she might find at the bottom of the pile. A treasure hunt! I agreed.









All Tennessee quilt shops seem to have designated "husband chairs" which they tell you about as soon as they see a man walk in - see the rockers above. All seemed genuinely surprised when I told them Glen liked to help me select fabric. What I bought at both stores -he  helped me find and  it had to go into his carry-on suitcase!

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Friday, April 3, 2015

My favorite week of the year....

Usually I love returning home from a trip away - I love my pretty house, lush garden and my own comfortable bed - but each year I feel a real wrench leaving one of my favourite places on earth... Pacific Grove and the Empty Spools Seminars at Asilomar. It's a perfect week in the company of great friends, learning new art quilting techniques, making some new friends and enjoying the simply beautiful background - the beach, the pines, the vintage Julia Morgan designed heritage buildings and the charming town just down the road. It was hard to come home.....




My class this year was taught by Susan Carlson who had escaped the horrible Maine weather to sunny California and happily taught us her technique of fabric collage. Basically we traced our designs on a muslin foundation and then filled the outlines with freely scissor cut fabric and glued it down. So simple, so easy to achieve a fabulously painterly effect with commercial prints, batiks and hand dyes.


Susan is a very relaxed easy going and gifted teacher. She gave each of us a lot of her time quietly moving around our classroom dispensing helpful and pertinent suggestions in a really lovely way. Our tables were quickly piled with the most beautiful combinations of pattern and color - scraps, fat quarters and larger pieces in every color and scale. It was certainly the messiest classroom at Empty Spools last week, but also the most beautiful with the cascades of color and pattern. 







Very soon images began to develop on our boards - landscape scenes, floral studies, exotic animals, family pets, portraits... Even a colorful warthog done my talented friend and traveling companion Roberta Walley.



My portrait of a Green Man - a Celtic folklore forest spirit- grows little by little... My drawing began as a photo of a plaque hanging on our garden fence and grew from there. 







He's almost finished by week's end. Just a few more finishing touches, a background and quilting remain. You'll see final version soon.

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Tuesday, March 10, 2015

Why Can't I Go Along with My Quilts?

Check out Nina Marie Sayre's Off the wall Friday's at http://ninamariesayre.blogspot.com.

This morning Quilts, Inc., the promoters of International Quilt Festivals around the country sent me this cute little badge to use online on Facebook, etc to advertise my quilts being shown it the upcoming Quilt Festival Chicago in a few weeks.




So all of you in the Midwest have an opportunity to see the two quilts I have in two Special Exhibits "Tactile Architecture" and "In Full Bloom". Mated for Life and Bella Camellia are shown below as I photographed them as they were hanging at Houston. Terrible photos, but the best I could do given crowds and lighting.









So if you can't be in Chicago, maybe Savannah or Denver intrigues you? Some more of my pieces are part of two Quilts on the Wall traveling exhibits being shown on the Mancuso circuit at Quiltfest New Jersey (just past) Quiltfest Destination Savannah (3/26-29) and the Denver National Quilt Show in late April. "Windowscape and "Forrest's Flowers" are in Appearances and "A La Carte" is in Maps.









I have nothing at Paducah this year (Had one accepted last year, but this year just a rejection letter - such is life...) but we'll be nearby visiting our son in Nashville the same week in April. Would love to be able to teleport. My quilts get to go around the country. I just wish I could go with them.

Wednesday, December 31, 2014

Last Day of 2014

OK it's the last day of 2014.... One of last year's New Year's resolutions was to spend more time on my blog, but that went by the wayside long ago. But here it is, the last day and not too much to do after the whirlwind of Christmas. We're heading off to friends for an early dinner tonight so nothing to do in the kitchen except carve up the last of the Christmas smoked turkey and pack for the freezer, so why not bring the blog up to date with what's on my design wall or under the machine right now.


2014 has a been the Year of the Swan - at least in my studio. This year Glen and I celebrated our 30th anniversary which brought back memories of our wedding at the Bel Air Hotel where swans swam in the rippling stream that ran next to the grassy area where our ceremony was held 1984.

So... the mute swans from the Bishops Palace at Wells Cathedral in "Mated for Life" debuted at Houston in October and are currently traveling in the Tactile Architecture exhibit. I used another photo of those swans for my 12inch SAQA Benefit Auction quilt which sold in October. Then a friend commissioned me to make another version as a wedding gift for relatives.


Obviously my favorite quilt at Houston Festival was David Taylor's wonderful "Beneath My Wing"


So my brain kept going back to swans again and again. Recently I started looking at swan photos yet again and started drawing my own compositions of a nesting pair. I finally came up with a sketch I liked, added some reeds, grasses and cattails.


My sketch was blown up on the computer and printed out as an appliqué pattern. I've used a subtle blue ombré cotton as the background and various whites, grays and an orange Hoffman batik for the swans themselves. the cattails are done in brown velveteen. This is raw edge appliqué using
Misty Fuse. I'll catch all the edges in the quilting.


I spent a day adding some subtle (I hope) shading with textile paints.


And now it's under my machine for a lot of very tight shaded quilting with silk thread. Sorry pretty out of focus, but maybe that's a good thing.




So a lot - and I mean a lot - of quilting to go..... BTW those half circle things on the quilt are cut from rubber shelf liner - the waffle kind- and really help to grab the quilt for free motion work. Don't need gloves or hoops or anything else! My tip of the day...

I'll post the final cleaned up finished version on my website ... Hopefully soon.

Monday, November 3, 2014

Quilt Festival Houston Part II


More of the sights and quilts at Houston Quilt Festival..      



Of course, there are vendors.......                                                                                      










Hundreds and hundreds of vendors.  I got in trouble with a few - some wonderful watery batiks, a light/magnifier for my machine,  A lovely piece of over dyed cotton from Wendy Richardson, a French cotton tablecloth and napkins, some repro glazed chintz from the ladies from Amsterdam and some big spools of YLI silk thread. There's lots of other stuff arriving the end of the week in my shipped box. 










I spent an hour or so volunteering in the SAQA booth selling books, cards, memberships, etc  where I met some wonderful quilters from Texas and all over the country. The last group  of 12" auction quilts for the SAQA Benefit Auction were exhibited and selling. My Mated for Life II was on the wall in the middle below the sign and sold! Always a great feeling of relief....  Two SAQA shows were on display - Celebrating Silver and Redirecting the Ordinary. What a great experience touring them with SAQA President Kris Sazaki! 





And, of course, there are winners in the judged show.... here are just a few of my favorites among them. 








Nancy Prince won Best of Show for this wonderful thread painted snow scene 


"On This Winter's Day" 







David Taylor's magnificent "Beneath My Wing" won the Fairfield Master Award for Contemporary Artistry for this intimate and sensitive portrayal of a swan and cygnet. All of David's quilts are hand appliquéd and very closely machine quilted - hundreds and thousands of tiny pieces. As you may know from seeing some of my recent work, I have a thing for swans. 






"Hurricane" by Janneke De Vries-Bodzinga of The Netherlands was awarded first place in Art- Abstract- Large. She told me that it is all hand appliquéd, but machine quilted. The color and movement of this was spectacular  - I was completely enthralled. 







The World of Beauty Award - "Gift of Appreciation "by Kyoko Yamauchi from Japan. Such wonderful detail and amazing workmanship. 










"Moody Beach, Maine, 1957" by Margot McDonnell from Arizona won a second place in Art - Pictorial . This one reminded me of the work of the French Impressionist Boudin - I loved the gray skies reflected in the water. 








And so many quilts that are truly outstanding, but went without awards.  I don't always agree with the judges anyway.  Here are some of my favorites from the long aisles of quilts in the judged show Quilts: A World of Beauty.....







Collaged entirely from various colors and sizes and textures of sewn on buttons


"Red Sunflower" by Susan Bianchi of Saratoga, California 






"Treasures of Egypt" by Jennifer Richenberger from Australia (I apologize if the last name is wrong, I can't read my notes) featured wonderful use of unusual fabrics and appealed to my closet Egyptologist soul. 






Two by one of my favorite artists and friend Sherry Kleinman, the one on the left "Geisha" painted painted on canvas and "Waiting Expectantly" on the right drawn on her iPad and then printed digitally. 







"The Iris" by Judith Roderick. Beautiful abstracted image of the flower. Bright clear color. 







Jerry Granata's "Samson and Delilah".  I'm taking his class in January at Road to California on quilting with unusual fabrics. He certainly does that!







My friend and traveling companion Sandra Lauterbach and her moving and very personal piece "The Wailing Wall of Krakow" digitally designed from her photographs, letters and documents telling the story of her Polish family's history in the Holocaust.







And a fabulous antique  from an exhibit of Mary Koval's Collection - a hand painted Indian Tree of Life cotton Palumpur in all its original unfaded glory. 







In the "Inspired By Libby" exhibit (honoring Libby Lehman) Laura Wasilowski's "Libby's Leaves" I adore her use of glowing color and purchased some of her hand dyed fabrics at the show. 


 




In a beautiful exhibit of French patchwork masterpieces sponsored by Bohin  "Etoile De Bethlehem"by Nathalie Ferri - quilting is truly international. 

















So by 3:30 on Saturday afternoon I was totally exhausted and limped over to the lovely and comfortably elegant Four Seasons Hotel across the park to repair myself over a lovely pot of tea and pick up my bags before going off to the Airport. Festival is a terrific experience - absolutely go if you can! So much inspiration that I can't wait to get back into my studio and create something.  Won't be there next year, but see you there in 2016...




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