A Great News Day!

 I'm sick at home today, but feeling better since the email from IQA saying that "Silk Fantasie A La Diane" was accepted as a finalist in the World of Beauty at international Quilt Festival Houston in late October.

I had such a great experience at Empty Spools in Diane Gaudynski's free motion quilting class and I learned so much from her that I named the resulting quilt after her. It's a sampler done in silk dupioni fabric using a lot of Diane's patterns and techniques, all done in very fine silk thread...lots of silk thread. An expensive little quilt!  It's only 32" X 32".

My Latest Work....

My blissful week at Empty Spools Seminars at Asilomar in Pacific Grove in March has finally resulted in a finished quilt - "Fossil Fueled".

My son's childhood fossil collection became the inspiration for this fused applique' quilt. Begun in a workshop entitled "Quilt Like Leonardo Da Vinci" with the ever creative Barbara Olson ( shown talking about her own gorgeous quilts below) in which we were asked to make detailed still - life compositions from natural objects, the quilt evolved from photographs and pencil sketches of fossils of sea-life from the Permian and pre-Cambrian periods.

My final photographic composition is shown at left. Hand dyes, batiks and printed cottons were used along with metallic copper braid, glass beads and textile paints for the final illusion in my fiber composition.




We were encouraged to arrive at Asilomar having read Michael Gelb's book How to Think Like Leonardo Da Vinci and were challenged to use many of the thought processes and exercises in the book to jump start our own creativity. For me the incredible beauty of the Asilomar State Park environment is usually enough to inspire me (especially this year with beautiful sunshine and blue seas even in mid March - see the snapshots below) but exercising my left brain in new ways was a fascinating experience.

One of the reasons I adore the Asilomar Conference Grounds is the opportunity to walk on the State Beach each morning before breakfast and classes. A boardwalk stretches from the dining hall over the dunes to the beach beyond. Fabulous on a slightly misty morning and even better at sunset!

Who Me? A Quilt Teacher ??

My husband would be the first to say that I would be a terrible teacher. His 16 years in Elementary and Middle School education probably gives him some insight in this particular matter, but his experience on this subject comes from some difficult hours spent trying to teach him to turn on the computer and use email. I did get him through his online traffic school experience, but he has stated on more than one occasion that "You [meaning me] can't teach anyone anything!"

So it was with more than a little trepidation that I agreed to give a workshop to my fellow members of the Santa Monica Quilt Guild. I have enjoyed using machine stitching and thread painting on a lot of art quilts over the last few years and have been fairly successful at local shows, so last summer I was asked to be part of a summer "Quilters College" that took the place of our normal speaker at a guild meeting. It was a 15 minute gig - just explain a few of your thread painting techniques. Of course I had to do it four times - once for each group that circled the room among four other teachers and of course in the middle of it my machine refused to participate and I could no longer do an actual demo, but basically all went well and members were very enthusiastic. So enthusiastic that I was asked to do a full day workshop sometime during the upcoming year.

Well, my time came last Saturday with a room full of 16 eager quilters. My initial panic subsided while I was setting up and knowing that I was prepared with handouts, samples, some easy designs for simple projects was a great help. I was pleased to be able to inspire some very talented students to go way beyond my class projects and take the initiative to move off on their own. I was also able to solve some machine problems for those who had done much free motion quilting, including one lady who had a brand new machine and had never lowered the feed dogs! It took a while, but with lots of time spent with the manual she was eventually up and running with the best. I was initially caught unawares by two visiting Japanese quilters who spoke almost no English, but they seemed to enjoy the day and actually gave me a lovely little gift at the end!

To sum up, I had dreaded failure and embarrassment, but by the end of the day I was not only tired and happy that it was all over, but pleased that I had exposed some very traditional quilters to some aspects of art quilting and thread painting techniques in particular that I think will be useful. I was also very pleased with the reception and the comments afterward. In fact some of my friends have suggested that I should be open to teach this workshop at other guilds.

I hasten to add that many of the techniques I demonstrated to the group were not necessarily my own. Some I had learned through workshops from nationally known professional teachers - especially Ann Fahl whose floral work I greatly admire. I was able to show these techniques using my own quilts as examples. I have a new respect for all those teachers who travel the country earning a living from teaching workshops week after week. Believe me, though satisfying, it's not easy!

Hello, My Name is Sally Wright and I am a Classaholic...

Certainly, that's the way I feel sometimes. There are so many quilting techniques and teachers that interest me I wonder how to fit them all in. And once I've taken the class, I'm off to the next without the luxury of time to put what I've learned into practice. Suffice it to say that I'm never happier in my quilting life than when I am in a classroom with friends old and new and a great teacher learning a new way to express myself in fabric. Recently,
I've been able to participate in several new learning experiences.

Art Quilter Marcia Stein visited the Santa Monica Quilt Guild in November and presented her workshop "Picture This" in which she shared her methods for transforming photographs into pictorial quilts. I was especially interested in the way she simplified her subjects - her quilts are very direct and immediate, often picturing people in everyday situations on simple backgrounds, but they go right to the heart of the subjects.

I took a photo of a friend's garden in Mill Valley for my small quilt. Marcia helped me simplify the scene and select fabrics which would do
most of the work. The resulting quilt is entitled "October - Mill Valley" and became a gift to our friends who have shown us so much hospitality in their lovely 1880s home on a redwood studded hillside.

A few weeks ago I headed south to Westchester near LAX with a friend to Tanners Sew and Vac to take a class on making fabric bowls and totes using a technique of winding fabric strips around clothesline and coiling the line to form vessels very much like building up a coiled pot in ceramics. The afternoon went by in a flash with teacher Lisa full of good humor and great tips. By the time I left I had the beginnings of a coiled tote bag all done in shades of black, gray and white
(actually leftover strips from a log cabin quilt made for my son many years ago). I finished it at home and have been using it for a week or so to many compliments. I'm now addicted to these wound up creations and have finished another bag for a friend. Certainly a class like this is practical and money saving in the long run - or at least that's my excuse.

My recent totally indulgent Christmas gift to myself was a three days worth of classes with the wonderful Sharon Schamber at Sewing Arts Center in Santa Monica, California. I had long ago discovered Sharon and her work at another class at Sewing Arts years ago and at a series of classes at Quilting in the Desert in Phoenix using her Piecelique' technique. This time she gave a series of three classes on Stippling For the Longarm, Free Motion Unmarked Feathers , and painting with Dyes. I don't own a longarm but the stipple techniques are universal for both the longarm and the domestic machines most of us use. For the first time a drove a longarm using her techniques and it was fascinating, though I know I will never be able to afford either the funds or the room to own one! The Feathers class inspiring and full of tips and tricks for better free motion quilting in general. Best of all, Sharon gave us all copies of her DVDs for each class to take home and watch over and over again until her techniques are truly ingrained in your psyche. She is a fabulously talented quilter as her back to back Best of Shows in Paducah and Houston will attest, a truly great teacher and a very classy lady.

After Christmas there are more classes - Esterita Austin is coming to the Santa Monica Quilt Guild in early January and February may bring a workshop on free motion quilting for art quilts with Bob Adams. Then in March is my much anticipated week at Asilomar and a workshop with Barbara Olson. So many classes - so little time! Somewhere in between them I want to do some practice free motion feathered pieces on silk shantung - perfect for pillows - and there are more photo inspired quilts coming together in my head. Then there are those coiled bowls and bags which are totally addictive. I'm also going back to work almost full time in retail for a year, but have already figured out how to smuggle a sewing machine and supplies into the back room for the quiet hours. I'll get it all done, I'm sure!!!